Yuri Yefanov (*1990) is an artist and filmmaker from Ukraine. His works use computer-generated imagery and game simulations to create digital dimensions of otherworldliness.

Philipp Modersohn's sculptures, animated films, and interdisciplinary projects highlight the vibrancy of things / matter and confront these with man-made structures and systems of social organization.

Nollaig Molloy works with moving image, sculptural installation and sound while sometimes using workshop and event-based outcomes, to explore landscape through material means.

In her performances, videos and paintings, Nadja Abt constructs feminist narratives that reference the world of literature and film.

Marc Kokopeli's work is overly concerned with how identity is formed during childhood.

In Magdalena Los’ digitally collaged visual worlds, everyday views collide with private screenshots or references to popular film scenes, works of art and current news from various departments.

Lubov Malikova is a Ukrainian artist and – together with Max Poberezhsky – runs the collaborative art group and experimental design studio DIS/ORDER.

In his work, Jan Kiesswetter produces publications and, increasingly, film documentaries. Recurring themes in his work are the representation of architectures and archives and the reading of images.

Jan Berger's practice is primarily occupied with the ludic formation of cultural mythologies and the production of subjectivity in online spaces.

Iris Ward Loughran is sculptor, photographer, and urbanist living and working in Brooklyn, NY.

Henrik Nieratschker's artistic work deals with the social implications of our lives within a digital infrastructure.

Haha Wang works mainly in sculpture and installation but also in video. In her works, the intimate feelings of both humans and animals are conveyed and transformed by unexpected objects or events.

Fabian Hampel deals with contemporary technologies and is interested in linear, reflexive forms as well as abstract borderlands.

In his work Deniz Aktaş captures human and environment relations affected by urban decay, environmental collapse, human migration, and the traumatic transformation of city and nature.

Based on photography and its extension in the medium of film, Alina Schmuch uses artist's books, video and installation to investigate the interaction between the visual medium and reality.