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Dana Kavelina

Black and white portrait of artist and filmmaker Dana Kavelina, who works primarily with video and animation.

© Kateryna Turenko

Dana Kavelina (*1995) is an artist and filmmaker from Melitopol, now living between Lviv and Berlin. In her practice encompassing primarily video and animation, she often touches upon military violence and war, historical and individual trauma, memory, and critical perspectives on the historical canon. Her works were presented in the Kyiv Perennial in Vienna, at the 60th Venice Biennale, at the M HKA Antwerp or the festival steirischer herbst amongst others. Furthermore, her film Letter to a Turtledove from 2020 was acquired by The Museum of Modern Art in New York. Dana Kavelina is the winner of the 7th edition of the PinchukArtCentre Prize and is shortlisted for the Future Generation Art Prize 2024.

Bönen

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Bönen von Nadine Redlich

Stops

Open "Bönen"
Eva Ruth Wemme and Tim Holland speak into microphones in front of a group of children in the open trailer area decorated with the “7000 Palmen” garland.

© Daniel Sadrowski

9.10.25

Texting in Bönen

Bönen

Artist

Open Artsit

Nadine Redlich

Nadine Redlich lives and works as a cartoonist in Düsseldorf. The publication of her style-defining “Ambient Comics” by Rotopol was followed by many more books.

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