Jump to main content (press Enter)Jump to the footer (press Enter)

Breadcrumbs

  1. Home
  2. Zu Gast
  3. Zu Gast

Zu Gast
Jahrgang 2021

© Daniel Sadrowski

For the 2020/2021 edition, the focus will be on artists whose work deals in the broadest sense with 'climate' and 'sleep', the thematic brackets of the Ruhr Ding editions 2021 and 2022.

The residencies, which generally last three or twelve months, are initially awarded independently of specific project proposals and enable artists to familiarise themselves with the region, incorporate this experience into their existing work or develop new ideas from it.

For the first time in 2021, the Haus der Geschichte des Ruhrgebiets in Bochum and the Halfmannshof in Gelsenkirchen have opened their doors to artists who want to use the specific digital or content-related research opportunities for their work on site. Since the start of the programme, there have been collaborations with the KunstVereineRuhr, an association of various art associations and artists' houses in the region, as well as the Ringlokschuppen Ruhr and the Makroscope - Centre for Art and Technology in Mülheim an der Ruhr.

Artists

Open Artsit

©Daniel Sadrowski

Yuki Jungesblut

Yuki Jungesblut seeks out potentialities and instances of overlap between imagination, fiction and reality, often exploring underdetermined states and liminality in general.

View
Open Artsit

©Roland Baege

Viron Erol Vert

In his artistic practice, Viron Erol Vert probes – against the background of his own intercultural experiences – identity constructs and different aspects related to the self and the other.

View
Open Artsit

©Roland Baege

Vanessa Nica Mueller

Vanessa Nica Mueller's films and artwork focus on aspects of memory, the relation of human, nature and urban space, the uncanny and the construction of conditions.

View
Open Artsit

©Roland Baege

Thomas Taube

By means of multi-channel installations, associative, reflective and surreal sequences, Taube works against conventional cinematographic codes.

View
Open Artsit

Nicoleta Moise

Nicoleta Moise is a visual artist, writer and researcher with different mediums combining photography, video and performance and focusses on making visible less known stories, characters or events.

View
Open Artsit

©Roland Baege

Nadine Rangosch

Natural sciences, visual culture and mythological stories inspire Nadine Rangosch to build her own vocabulary, translating abstract concepts into spatial arrangements.

View
Open Artsit

©Roland Baege

Laura Leppert

Laura Leppert works with film, installation and text. Her installations and cinematic spaces are constructed in fragments and are constantly in motion.

View
Open Artsit

©Roland Baege

Kristina Paustian

Kristina Paustian examines cultural anthropological and socio-political topics. In cinematic images she focusses in particular on the themes of times of upheaval and technical utopias.

View
Open Artsit

©Daniel Sadrowski

Julia Lübbecke

In her works, Julia Lübbecke deals with the relation between body and institution. She explores this connection to examine dominant structures of order and creates processes to make them fragile.

View
Open Artsit

©Roland Baege

Jessica Arseneau

Jessica Arseneau explores the way human perception and subjectivity is shaped by social codes, patterns of behaviour, accelerating culture and technological progress.

View
Open Artsit

©Daniel Sadrowski 

Guy Königstein

In his recent projects Guy Königstein researches the different ways we live the past in the present, for instance through practices of commemoration, archiving or archaeology.

View
Open Artsit

©Daniel Sadrowski

David Reiber Otálora

In his cinematic / sculptural works David Reiber Otálora deals with exoticisms and colonial representations of the so-called other and explores possibilities to affirm them into ambiguous narratives.

View
Open Artsit

©Roland Baege

Adriana Arroyo

Adriana Arroyo's works reference to geological activity, to reveal possible relationships between the movement of the Earth, politics and the fragility of the body and the mind.

View

HEUTE DEMNÄCHST ENDE

Anna Viebrock

© Daniel Sadrowski

© Daniel Sadrowski

© Daniel Sadrowski

© Daniel Sadrowski

© Daniel Sadrowski

Drei Wörter leuchten in den Himmel: HEUTE DEMNÄCHST ENDE. Es könnte wie die Ankündigung eines Kinoprogramms klingen, beim wiederholten Lesen aber vervielfältigen sich die drei Worte auf dem Schriftzug von Anna Viebrock zu mehr – einer Prophezeiung, Warnung, einem lakonischen Gedicht. 

Seit den späten 1980er-Jahren hat die Bühnenbildnerin, Regisseurin und Künstlerin einen Fundus aus ihren eigenen Bühnenbildern angesammelt, den sie für die Entstehung neuer Arbeiten nutzt. Sie verwendet Elemente ihrer detailreichen und Geschichten-überbordenden Innenräume erneut und lädt sie mit zusätzlicher Bedeutung auf. Auch das 2021 für Christoph Marthalers Inszenierung der Operette Giuditta von Franz Lehár entworfene Szenario, dem der Schriftzug HEUTE DEMNÄCHST ENDE entstammt, hat seither ein Eigenleben entwickelt: 2024 schuf Viebrock aus dem recycelten Giuditta-Bühnenbild eine Gesamtinstallation für ihre Ausstellung in der Skulpturenhalle Neuss, die das Zitat aus der Operette als Titel verwendete. Seit 2026 zieht der Schriftzug nun in wetterfester Ausführung auf dem Trailer der Grand Snail Tour durchs Ruhrgebiet. Mit jedem Stopp und in jedem Kontext kann der Text neue Bedeutungen gewinnen. 

Die Buchstaben leuchten auch sinnbildlich für das gesamte Konzept der dreijährigen Tour, die als Hybrid zwischen mobilem Ausstellungsort und Veranstaltungsformat alle 53 Ruhrgebietsstädte miteinander verbindet. HEUTE DEMNÄCHST ENDE beschreibt damit nicht nur eine abstrakte Zeitlichkeit, sondern die konkrete Dramaturgie eines im September 2024 begonnenen und bis Oktober 2027 geplanten Projekts, das seine eigene Endlichkeit kennt. 

Artist

Open Artsit

© Lisa Rastl

Anna Viebrock

Anna Viebrock studied stage design at the Düsseldorf Art Academy. Her collaboration with Christoph Marthaler took her to numerous theatres and opera houses.

View