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Stacey Gillian Abe

©Roland Baege

Stacey Gillian Abe’s concepts highlight specific complex situations as autobiographical documentation drawn from earlier and continuous experiences, they attempt to review conventional depictions of her as a black woman by drawing focus to the mind’s suppleness. These materialize into created imaginary spaces that instigate a surreal mystical feel to the work as it probes unsettling narratives on the subject of identity, gender, spirituality, and cultural mysticism, the past, and present.

2018, Artist in Residency with the programme A visitor to Urbane Künste Ruhr, Dortmund, 2019, was awarded the Iwalewa Art award of IWALEWAHAUS Bayreuth, 2019 and is listed in the Forbes Africa 30 under 30 creatives 2018.

Bönen

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Bönen von Nadine Redlich

Stops

Open "Bönen"
Eva Ruth Wemme and Tim Holland speak into microphones in front of a group of children in the open trailer area decorated with the “7000 Palmen” garland.

© Daniel Sadrowski

9.10.25

Texting in Bönen

Bönen

Artist

Open Artsit

Nadine Redlich

Nadine Redlich lives and works as a cartoonist in Düsseldorf. The publication of her style-defining “Ambient Comics” by Rotopol was followed by many more books.

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