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Nadine Rangosch

©Roland Baege

Nadine Rangosch (*1991) utilises sound, sculpture, video, 3D-modelling and animation. Her multimedia installations build on narratives in between fact and fiction, that show unexpected links between solid and liquid, symbolism and realism, human and non-human.

Natural sciences, visual culture and mythological stories inspire her to build her own vocabulary, translating abstract concepts into spatial arrangements. The reflection on power relationships in society is a constant influence and inspiration, anchoring her atmospheric works within the ordinary.

Currently, she is working on a project that transfers floral shapes, such as flowers and leaves into virtual objects, in order to question the portrayal of reality and our perception of it under the influence of 3D-Technology.

From April—June 2021, Nadine Rangosch was a resident at the Halfmannshof in Gelsenkirchen.

Bönen

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Bönen von Nadine Redlich

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Open "Bönen"
Eva Ruth Wemme and Tim Holland speak into microphones in front of a group of children in the open trailer area decorated with the “7000 Palmen” garland.

© Daniel Sadrowski

9.10.25

Texting in Bönen

Bönen

Artist

Open Artsit

Nadine Redlich

Nadine Redlich lives and works as a cartoonist in Düsseldorf. The publication of her style-defining “Ambient Comics” by Rotopol was followed by many more books.

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