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Fabian Hampel

©Daniel Sadrowski

Fabian Hampel (b. 1991) deals with contemporary technologies and is interested in linear, reflexive forms as well as abstract borderlands. He asks himself questions like: what if an artificial intelligence had a seizure? His practice often boils down to essayistic video works, which fictitiously approach topics such as algorithm critique or the exploration of unknown perspectives. Formally and visually, the technology in question is often used; in other words, we observe a technology that tells us about itself, while it can also only be understood as an artistic tool. In his video work This Ghost Does Exist (2020), a neural network challenges the audience to a collective hallucination. In the live video sculpture BEFORE HE PAINTED THE WATER LILIES, MONET PLANTED THEM (2017), potentially infinite online videos are summed into a single collage. 

From July to September 2022, Fabian Hampel is artist resident in the program Zu Gast bei Urbane Künste Ruhr at Halfmannshof Gelsenkirchen.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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