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Camilo Pachón

Portrait of artist Camilo Pachón, whose art oscillates between photography, installation, and social spaces, in a black-and-white image wearing a cap.

© Sara Alvarado

Camilo Pachón is a multidisciplinary artist and curator working between Colombia and Germany. He deals with collective processes and the mask as an ancient technology: tools that dissolve the self, change their contexts and allow us to imagine new worlds and create new connections with people and ecosystems. With his project proposal The Ancient Masked Temple, the artist aims to create a collective space in the Healing Complex with a programme of workshops, readings, performances and the traditions of carnival.

Camilo Pachón (*Bogotá) lives and works in Colombia and Schöppingen/Münster. His works have recently been shown in solo and group exhibitions at the Temporary Gallery, Cologne (2023) and LIA FARO, Bogotá (2023).

Bönen

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Bönen von Nadine Redlich

Stops

Open "Bönen"
Eva Ruth Wemme and Tim Holland speak into microphones in front of a group of children in the open trailer area decorated with the “7000 Palmen” garland.

© Daniel Sadrowski

9.10.25

Texting in Bönen

Bönen

Artist

Open Artsit

Nadine Redlich

Nadine Redlich lives and works as a cartoonist in Düsseldorf. The publication of her style-defining “Ambient Comics” by Rotopol was followed by many more books.

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