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My Body Is Not
An Island

©Katja Illner

©Katja Illner

©Katja Illner

12.8. – 23.9.23

Address

Kulturkirche Liebfrauen Duisburg
König-Heinrich-Platz 3
47051 Duisburg

Accessibility

A giant, deconstructed body – part animal, part human – welded from a metal frame, with oversized items of clothing and brightly-coloured costumes that visitors may try on, transport crates and collages of material, unfolds to create an immersive landscape in the extensive installation My Body Is Not An Island by the Czech artist and film-maker Eva Koťátková.

Stories both factual and fictional telling of physical and mental oppression are written into the work. Tales from the perspectives of humans, animals and plants are activated every week by the performer and can be supplemented with the public’s own experiences. 

Originating from her own interest in social structures – such as the family, schools, or work – in this art work, Eva Koťátková explores the question of how normalisation processes shape our everyday lives and can give rise to forms of excessive (self-)control, violence and fear.

Influenced by the poetics of surrealism and theatrical stage designs, the artist has created an inclusive place in which we can face our dreams and our unconscious. My Body Is Not An Island invites children, young people and adults alike to empathise with others and to learn how to use emotions as a way in to the world: Bring your emotions and your jackets too, the artist tells us.

Urbane Künste Ruhr makes its own artistic contribution to each Ruhrtriennale. Following up on Ruhr Ding: Schlaf, an exhibition project across several cities early this summer that addressed our relationship with the body and time in a post-industrial context, it has invited Eva Koťátková to create a site-specific version of My Body Is Not An Island at Liebfrauenkirche Duisburg after the work had previously been seen in Bordeaux and Prague.

Produced by Urbane Künste Ruhr for Ruhrtriennale

Eva Koťátková and Britta Peters in Conversation

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Künstlerin Eva Koťátková und Britta Peters, Künstlerische Leitung von Urbane Künste Ruhr, führen euch bei einem Gespräch durch die Ausstellung „My Body Is Not An Island” in der Kulturkirche Liebfrauen in Duisburg.

©Katja Illner

Artist

Open Artsit

©National Gallery Krepmlová

Eva Kot'átková

In her work, Eva Kot'átková explores forms of power, manipulation, discrimination and control exercised by institutions upon those who deviate from the norm (or what is perceived as such).

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Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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