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Healing Complex
Takeover

©Caroline Seidel

3.5. – 29.6.24

Address

Ehemalige St. Bonifatiuskirche 
Cranger Straße 338-342 
45891 Gelsenkirchen

Accessibility

Healing Complex (2018-ongoing) is an Urbane Künste Ruhr project initiated by artist Irena Haiduk that tests new forms of social interaction.

In the third phase of the project, Urbane Künste Ruhr invited two artists - found through an open call - to take part in a research and work residency. From April to the end of June 2024, Anne Arndt and Camilo Pachón took over the site and developed a programme for the neighbourhood and other interested parties. The guests became hosts and opened the doors of the Healing Complex as an open studio, inviting people to workshops, walks and readings and seeking dialogue with visitors from Erle, Gelsenkirchen and the surrounding area. In this open process, the Takeover invited visitors to follow and actively participate in the artistic process.

Walking as a democratic means of transport is a central component of our urban experience. But how do we experience urban space and its paths? The evaluation of public space varies depending on the person and perspective - who is allowed to move, when and how? The artist Anne Arndt consciously devotes herself to walking without a practical purpose and invites us to perceive urban space through different lenses. Together with her and local contemporary witnesses, we would like to explore Erle from new perspectives. After the walks, we will meet for Hanging Out_ at the Healing Complex to examine, discuss and reflect on the cultural meanings of walking in our society.

How does community develop and function? What are common values? What do we want to share? What do we want to create together? Camilo Pachón's artistic work is based on the principle that all energy emanates from human relationships. With this in mind, he uses art as a tool to bring people together, connect them on different levels and create situations that encourage direct communication and interaction. Using masks, costumes and rituals from the carnival in the form of workshops and parades, the artist aims to transform the Healing Complex into a "masked temple", The Ancient Masked Temple, in whose transformation everyone should participate.

Artists

Open Artsit
Portrait of artist Camilo Pachón, whose art oscillates between photography, installation, and social spaces, in a black-and-white image wearing a cap.

© Sara Alvarado

Camilo Pachón

With The Ancient Masked Temple, Camilo Pachón aims to create a collective space in the Healing Complex with a programme of workshops, readings, performances and the traditions of carnival.

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Open Artsit
Portrait of artist Anne Arndt, whose work explores media and architectural spaces.

© Anne Arndt

Anne Arndt

In her cross-media works, Anne Arndt critically and humorously scrutinises our public living space as a mirror of social cultures of power and remembrance.

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Local Blackouts

Lütfiye Güzel

A person in a brown leather jacket looks at a large printed newspaper on a stand with the heading 'Wesel'.

© Daniel Sadrowski

A sign with the word 'NACHRICHTEN' with an abstract newspaper layout with little text.

© Heinrich Holtgreve

Ausgangsmaterial ist ein besonders kurzweiliges Format aus dem Alltag: die Tageszeitung. Lütfiye Güzel, Poetin aus Duisburg und Vertreterin eines konsequent selbstverlegten, körpernahen Schreibens, lässt sich für die Grand Snail Tour von Projektpartner*innen und Passant*innen Lokalzeitungen und -beilagen aus den zu bereisenden Städten zusenden. Aus diesen Dokumenten erzeugt Güzel durch gezieltes Ausstreichen und Schwärzen von Textpassagen insgesamt 53 Gedichte — Local Blackouts —, die auf Aufstellern an jeder Station veröffentlicht werden.

Die Methode der Blackout Poetry ist eine Form der Found Poetry und wird bei Güzel zum politischen Akt. Das Schwärzen zitiert die Logik der Zensur, kehrt sie aber um, denn das unkenntlich Machen hat nicht Unterdrückung, sondern Verdichtung zum Ziel: Was bleibt, wenn der redaktionelle Lärm verschwindet? Lyrische Miniaturen, die in ihrer Knappheit dem Haiku ähnlich ist. Güzels Entscheidung, diese Textarbeiten im öffentlichen Raum zu zeigen, stellt zudem implizit die Frage: Für wen werden solche Texte geschrieben, und wer kommt darin vor?

Lokalzeitungen sind ein ambivalentes Medium. Sie fördern und informieren Nachbarschaften jenseits von Social Media — doch die Sprache und Nachrichtenauswahl ist häufig hetzerisch und vereinfachend. Tatsache ist, dass Lokalzeitungen an Bedeutung und finanzielle Unterstützung verlieren. Güzels Aneignung bewahrt und befragt dieses Erbe zugleich. Präsentiert auf herkömmlichen Presseaufstellern verleiht ihre Arbeit der Grand Snail Tour ein vertrautes Erscheinungsbild von regionaler Kultur und überführt diese gleichzeitig in die poetische Abstraktion.

Artist

Open Artsit

©Ben Knabe

Lütfiye Güzel

Lütfiye Güzel is a poet and has been publishing poems under her own label go-güzel-publishing since 2014.

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