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Königsgrube

© Henning Rogge

© Henning Rogge

© Henning Rogge

Address

Hofstraße 24
44651 Herne

Open in Maps

A former pumping station of a disused colliery becomes an installation, the name remains and sounds promising: Königsgrube. Markus Jeschaunig's work, in which he transforms fragments of the demolished building into a hybrid landscape, is characterised by past and future.

From 1860 to 1967, coal mining at the Königsgrube colliery in Herne-Röhlinghausen was extremely productive, then the black gold was extracted, leaving the earth depleted and perforated with subsidence of up to ten metres. The pumping station had the task of channeling the waste water from the neighbouring communities into the Hüller Bach and from there into the Emscher. With the end of coal mining, underground disposal became possible and the pumping station was decommissioned.

The pumping station is now being demolished. Artist Markus Jeschaunig is creating an installation on the partially backfilled foundations that sculpturally integrates various elements of the building: Part of a staircase will be preserved, three pipes will form a solar-powered fountain from which drops of water and sounds can be heard. A quarry forest is being created, a biotope made up of six black alder trees that like it wet and are reminiscent of the floodplain landscapes along the Emscher in pre-industrial times. On the paved forecourt, rainwater can be collected in a cistern via gutters and, together with a photovoltaic pergola, enables completely self-sufficient operation.

As an artistically remodelled ruin, Jeschaunig's work points to both the great technologies and the enormous ecological destruction that mining brought with it, and at the same time shows a way in which new life and climate-positive places can be created in the city.

Artist

Open Artsit

©Daniel Sadrowski

Markus Jeschaunig

Markus Jeschaunig works as an artist and architect, his projects combine art, natural sciences, ecology and activism.

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Dates

  • Open Event
    Group of cyclists on a tour along the Emscherkunstweg. The cyclists ride on a paved path next to a river, passing under a highway bridge, surrounded by green scenery.

    © Daniel Sadrowski

    So., 30.3.25, 12:30–15 hView

    Bike Tour to the Opening of Königsgrube

  • Open Event
    The former pumping station Königsgrube by Markus Jeschaunig is captured in a winter setting, highlighting its green industrial structures and historical significance.

    © Daniel Sadrowski

    So., 30.3.25, 15 hView

    Opening Königsgrube

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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