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Zhanna Kadyrova

Portrait of artist Zhanna Kadyrova, who works with sculpture, installation, and social practice, with dark hair and a black shirt.

© Sergey Illin

Zhanna Kadyrova (*1981 in Brovary, Ukraine) has been working in the field of sculpture for 20 years and is currently one of the best-known artistic positions from Ukraine. In her installations, sculptures, films and photographs, she deals with regional industrial architectures and often uses previously used materials such as ceramics, bricks, concrete or glass. In doing so, she combines different motifs ranging from communist symbolism to objects from everyday life and pop culture. 
Zhanna Kadyrova is a founding member of the artist group R.E.P. (Revolutionary Experimental Space), founded in 2004, and part of the collective DE NE DE. Despite the war by Russia, Zhanna Kadyrova continues to live near Kyiv. It is important for her to transport the events in her home country into her exhibitions, which can be seen worldwide, including at the Venice Biennale (2019), the Kunstverein Hannover (2023) and the NS Documentation Center Munich (2023).

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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