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Yuki Jungesblut

©Daniel Sadrowski

Yuki Jungesblut is an artist working with various forms of narrative investigation, photography, installation and film. She seeks out potentialities and instances of overlap between imagination, fiction and reality, often exploring underdetermined states and liminality in general. Observations, shifts and translations interplay in many of her multi-layered projects constructing and communicating spaces of thought and reflection around specific subjects like waiting or ennui. Another element in Jungesblut’s work is the exploration of emotional territories tied to collective and individual memory. 
 

She combines her multiple interests in what she calls freestyle research, mediating between aesthetic play, the pursuit of myth and fiction and a critical analysis of societal constellations.

The artist’s most recent work is the artist book Kirin Quest – based on a project that playfully investigates the cultural interconnections of the countries bordering the East China Sea. In this project – that via text and photography looks at various instances of myths, nature, culture and travel – Lewis Carroll’s The Hunting of the Snark serves as a travel companion and guidebook.

Yuki Jungesblut studied natural sciences and social psychology at the University of Cambridge and the London School of Economics. Subsequently she studied visual communication/filmmaking at Kunsthochschule Kassel.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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