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Viron Erol Vert

©Roland Baege

In his artistic practice, Viron Erol Vert probes and analyses – against the background of his own intercultural experiences – identity constructs and different aspects and perspectives related to the self and the other. His works are shaped by the state and atmosphere of an in-between existence, with the artist weaving various cultures, materials, languages, forms of expression, and life views into a hybrid, complementary identity.

For Ruhr Ding: Schlaf, Viron Erol Vert is transforming a vacant kiosk into a sculpture resembling a mobile by expanding the original architecture through modules, and by creating, through forms, colours, textures, and reflections, a place for encounter, daydreams, and ephemeral moments between everyday life and imagination. In terms of both content and form, he is alluding to the original function and etymology of the kiosk, a word originating from the Persian kūšk (pavilion, garden house) which ultimately made its way into modern Turkish as köşk.

From July to December 2021, he was a resident artist in Mülheim at Makroscope – Zentrum für Kunst und Technik (Centre for Art and Technology) in the scope of Zu Gast bei Urbane Künste Ruhr.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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