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Tilman Walther

© Jenny Schäfer

Tilman Walther lives and works in Hamburg as an artist, author, and curator. He writes and speaks on participation and inclusion in museum cultural production and on historical and victim narratives in the early Federal Republic of Germany. Artistically and academically, he examines built urban space as a place of historical narrative, social self-expression, and collective mourning. Since 2020, Tilman Walther, together with Nina Lucia Groß, has been directing Freiraum at the Museum für Kunst und Gewerbe Hamburg as a space for participation and discourse. Since 2020, Tilman Walther, together with Nina Lucia Groß, has been directing Freiraum at the Museum für Kunst und Gewerbe Hamburg as a space for participation and discourse. Together with their team, they design and curate a program of events and discourse on political and cultural education in the Freiraum. The focus is on questions of (co-)shaping coexistence, historiography, and a shared present.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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