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Philipp Modersohn

©Daniel Sadrowski

Philipp Modersohn's sculptures, animated films, and interdisciplinary projects highlight the vibrancy of things and matter. By confronting these with man-made structures and systems of social organization, he questions the division between biology and geology, life and non-life, and the resulting hierarchy of forms of existence. The non-human actors appear as alien and emancipated: In the video work a reporting rock, a stone has to respond to questions from an immigration officer; in Stone Trek, drill cores develop a life of their own at daylight; and in the fountain-like Autonomous Algae Plant, microalgae are brought into negotiations about their harmful bloom. In the short film Convict Concrete (work-in-progress, with Kasia Fudakowski), concrete is sued within a fictional courtroom drama.

After studying art at UdK Berlin and Columbia University New York, Philipp Modersohn currently lives and works in Berlin. He had solo exhibitions at Oldenburger Kunstverein (cement & weather, 2016) and Galerie Guido W. Baudach in Berlin (e.g., attitudes of heat, 2020), among others. Participation in group shows, including ones at Staatliche Kunsthalle Baden-Baden, Kunstverein Göttingen, Stiftung Planetarium Berlin, and, upcoming in the summer of 2022, at Lantz'scher Skulpturenpark Düsseldorf. 

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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