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Nicole Wermers

Nicole Wermers (*1971 in Emsdetten) lives and works in London and Emsdetten. Since 2017 she has been a professor at the Academy of Fine Arts in Munich. Among other things, she was a fellow of the German Academy Villa Massimo in Rome in 2012 and was nominated for the Turner Prize in 2015. In her sculptures, photographs and collages, the artist combines formal questions with investigations of urban space and its social, economic and psychological inscriptions. The artist's work reveals a reference to the design of everyday objects, renegotiating their purposeful use within recompositions, often in combination with other materials, forms, and contexts.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

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Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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