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Kyoco Taniyama & Nico Alexander Taniyama

©Roland Baege

Kyoco+Nico are an artist duo from Tokyo and Berlin. The behaviour as well as the verbal syntax of the two cities tend to be exact opposites. Kyoco+Nico monitor such country-specific contradictions during their everyday life that influence the binary range of their subject matter, such as macro and microscopic views, digital and analogue, together with the past and future.

Their working process begins site-specifically as 'physical explorers'. Reflections on these accumulated experiences accompany their path to conceptual abstraction, both play with the attraction of paradoxes that are usually to be avoided. For Ruhr Ding: Territorien, Kyoco+Nico are combining their forms of expression, such as sculpture and media installation, for a third time, with a view to social transformation as a result of the shift from industrialization to digitalization.

Kyoco Taniyama visualizes her critical inquiry into current events, which she gathers by exploring foreign locations and social structures in a humorous way using photography, sculpture and installation.

Nico Alexander Taniyama combines his dual interest in media art and philosophical thought. His meta-approach, 'Everything we do, we can attempt on the meta-level', reflects both his theoretical and visual work.

Hamminkeln

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Hamminkeln by Erdem Teper

so müssen wohl die bäume über die menschen denken, 
der mensch ist ewig damit beschäftigt 
versteht, dass alles und jeder irgendwo
eins ist 
versteht, dass alles –  liebt und lacht und lebt in frieden existiert; stoa
versteht, dass es ist – ebenbild 
wenn mensch findet sich selbst 
vor uralten baumrinden 
ein wesen schaut das andere an, 
am ende haben beide einander
und somit sich selbst erkannt 
beide aus gerüst, beide aus haut 
nur dass der baum im wald sich zutraut
zurecht, dass er den menschen überlebt; 
während die zeit bereits 
das leichentuch des menschen webt 
und der baum schaut den menschen an, 
beide aus haut, rinde und knochen 
nur hat der neue mensch 
seine beziehung zur natur unterbrochen

Artist

Open Artsit

©priscilliagrubo

Erdem Teper

Erdem Teper writes about everything that makes Erdem feel. Themes in his poetry are often taken from philosophical and religious contexts.

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