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Pool Lines

The sculpture Pool Lines by Sofía Táboas consists of two large triangular structures covered in shimmering green mosaic tiles, blending into the surrounding landscape.

© Henning Rogge

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Gartenverein Im Massbruch e. V. 
Gevelsbergstraße 120 
44287 Dortmund

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Two large triangles together constitute a third triangular form. Their waist-high walls are about one metre thick; they both taper and flatten towards the ground.

The sculpture Pool Lines by Mexican artist Sofía Táboas is clad with shimmering green mosaic tiles. Are these the archaeological remains of a swimming pool from times when the Emscher was still a meandering river? Have we been projected into a mythical Bermuda Triangle, bordered by a strictly geometric greenstone mosaic? 

Or are these preparations for some future landing site? Facing each other, both triangles are open and encompass the section of a meadow that lies between an industrial estate and allotment gardens in the Dortmund district of Schüren. In the background flows the Emscher, which along this stretch has already been completely renaturated. While blending into its surroundings, the sculpture’s configuration remains an alien body as attractive as it is mysterious, a play between landscape and architecture. The interior space described by its walls is of the same nature as the exterior space around it. It both reflects and transforms the site of the installation: the scarcely cultivated green strip has become a garden whose velvet green walls invite us to linger a while.

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Open Artsit

©Daniel Sadrowski

Sofía Táboas

In her sculptures and installations, Sofía Táboas (*1968) explores how man-made and natural space is perceived and reshaped.

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Waltrop

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Illustration, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Dass eine Chronik nicht nur das Geplante dokumentiert, sondern auch die Zufälle, Unterbrechungen und Umwege einer Reise, zeigt der Beitrag zu Waltrop von Daniel Sadrowski. Nachdem am Veranstaltungstag, dem 15. Mai 2025, keine Chronik realisierte werden konnte, reiste der Fotograf exakt ein Jahr später nach Waltrop und nahm in Anlehnung an die New American Photography die Peripherie der Stadt in den Blick. Seine Schwarz-Weiß-Fotografien erkunden die ländlich geprägten Übergangsräume am nördlichen Rand des Ruhrgebiets.

Waltrop von Daniel Sadrowski

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Open Artsit

© Guido Rottmann

Daniel Sadrowski

Daniel Sadrowski initially studied social sciences with the aim of becoming a journalist. His passion for photography led him to study photo design in Dortmund, where he earned his diploma in 2003. 

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