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Königsgrube

© Henning Rogge

© Henning Rogge

© Henning Rogge

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Hofstraße 24
44651 Herne

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A former pumping station of a disused colliery becomes an installation, the name remains and sounds promising: Königsgrube. Markus Jeschaunig's work, in which he transforms fragments of the demolished building into a hybrid landscape, is characterised by past and future.

From 1860 to 1967, coal mining at the Königsgrube colliery in Herne-Röhlinghausen was extremely productive, then the black gold was extracted, leaving the earth depleted and perforated with subsidence of up to ten metres. The pumping station had the task of channeling the waste water from the neighbouring communities into the Hüller Bach and from there into the Emscher. With the end of coal mining, underground disposal became possible and the pumping station was decommissioned.

The pumping station is now being demolished. Artist Markus Jeschaunig is creating an installation on the partially backfilled foundations that sculpturally integrates various elements of the building: Part of a staircase will be preserved, three pipes will form a solar-powered fountain from which drops of water and sounds can be heard. A quarry forest is being created, a biotope made up of six black alder trees that like it wet and are reminiscent of the floodplain landscapes along the Emscher in pre-industrial times. On the paved forecourt, rainwater can be collected in a cistern via gutters and, together with a photovoltaic pergola, enables completely self-sufficient operation.

As an artistically remodelled ruin, Jeschaunig's work points to both the great technologies and the enormous ecological destruction that mining brought with it, and at the same time shows a way in which new life and climate-positive places can be created in the city.

Artist

Open Artsit

©Daniel Sadrowski

Markus Jeschaunig

Markus Jeschaunig works as an artist and architect, his projects combine art, natural sciences, ecology and activism.

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Dates

  • Open Event
    Group of cyclists on a tour along the Emscherkunstweg. The cyclists ride on a paved path next to a river, passing under a highway bridge, surrounded by green scenery.

    © Daniel Sadrowski

    So., 30.3.25, 12:30–15 hView

    Bike Tour to the Opening of Königsgrube

  • Open Event
    The former pumping station Königsgrube by Markus Jeschaunig is captured in a winter setting, highlighting its green industrial structures and historical significance.

    © Daniel Sadrowski

    So., 30.3.25, 15 hView

    Opening Königsgrube

Kleine orange Schnecke

Anna Haifisch

© Daniel Sadrowski 

A person with tied-up hair wears an orange-blue blanket with a snail motif over their shoulders.

© Daniel Sadrowski

A person holds up a large orange-blue blanket with a drawing of a snail and a dog on it.

© Daniel Sadrowski

Anna Haifisch (*1986 in Zwenkau) ist Zeichnerin und Künstlerin, deren Arbeiten im Museum sowie in Zeitungen und Zeitschriften gleichermaßen zu sehen sind, ihre Comics wie The Artist erscheinen in mehreren Sprachen. Ob das vogelartige Wesen, das davon träumt, Künstler*in zu werden, oder Schappi — ihre Figuren sind vom Tierreich inspiriert und interessieren sich auf eigensinnige Art für die Kunstwelt. Allerdings ist der Humor zutiefst menschlich, mit dem Haifisch ein erzählerisches Universum entwickelt, das den Betrieb, seine Sehnsüchte und Absurditäten durchleuchtet. Dafür verbindet sie visuelle und erzählerische Elemente aus Design, Comic- und Kunstgeschichte. 

Die für die Grand Snail Tour gestaltete Decke Kleine orange Schnecke zeigt einen hundeartigen Charakter, der von einer Schnecke träumt. Dass die Decke erstmals für die Veranstaltung mit Anna Haifisch am Museum für Fotokopie in Dorsten im Grand Snail Trailer reiste, ist kein Zufall: Das Museum widmet sich einem Reproduktionsmedium, das Hochkultur und Alltagsgebrauch, Original und Vervielfältigung unauflöslich verknüpft – ein Spannungsfeld, das auch die Zeichnungen der Künstlerin bestimmt. Das textile Objekt gehört seither zur reisenden Sammlung der Grand Snail Tour: An kalten Tagen spendet sie als Decke Wärme, an warmen kann sie überall und jederzeit im Freien ausgebreitet werden und erinnert dann daran, dass auch die langsamste Reise Pausen braucht.

Artist

Open Artsit
Portrait of artist Anna Haifisch, known for her comics and illustrations, wearing a pink beanie and a smiley sweater in front of a blue wall.

© Matthew James Wilson

Anna Haifisch

Anna Haifisch writes and draws comics, works as an illustrator for national and international media and designs print series, posters and design products.

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