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Stacey Gillian Abe

©Roland Baege

Stacey Gillian Abe’s concepts highlight specific complex situations as autobiographical documentation drawn from earlier and continuous experiences, they attempt to review conventional depictions of her as a black woman by drawing focus to the mind’s suppleness. These materialize into created imaginary spaces that instigate a surreal mystical feel to the work as it probes unsettling narratives on the subject of identity, gender, spirituality, and cultural mysticism, the past, and present.

2018, Artist in Residency with the programme A visitor to Urbane Künste Ruhr, Dortmund, 2019, was awarded the Iwalewa Art award of IWALEWAHAUS Bayreuth, 2019 and is listed in the Forbes Africa 30 under 30 creatives 2018.

Unna

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Unna von Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

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View into the trailer featuring Paul Spengemann’s “spin jump crawl climb dream bite hunt”; a lit claw machine stands to the right. Elements from Cem A.’s “floor pieces and stanchions” are visible.

© Daniel Sadrowski

31.10.25, 14–22 h

Displaying in Unna

Unna

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© Alexandra Polina

Heinrich Holtgreve

Born in Bochum in 1987, he lives between Hamburg and Berlin. In 2013, Heinrich Holtgreve completed his studies in photography at Bielefeld University of Applied Sciences. He has been a member of the Ostkreuz agency since 2016. 

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