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sakasaka

The artists Adjoa Armah and Sel Kofiga work together artistically under the name sakasaka, which refers to the creative heritage of Adjoa Armah's parents and the Ghanaian Akan word for centipede. 

Adjoa Armah, through her exploration of archives and the photographic image, installations, writing, and site-specific pedagogical experiments, investigates the narratives carried within the body and the silences of memory. Sel Kofiga uses performance, textiles, film and image-making to probe the agency of non-living objects and the spatial experiences of racialized subjects.

Together, their research-based practice, interrogates how grief, survival, and resilience are metabolised across generations and inscribed onto place, proposing new ways to engage with fragmented histories, rituals, and the materials and spaces that bind them. Armah and Kofiga have been practising as artists since 2018 and 2014 respectively, with their independent work being shown and published internationally.

Projects

Marl

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Marl von Nikita Teryoshin

An older woman in a pink outfit with heart motifs leans against a white tiled wall. Behind her, a poster with red heart balloons is visible.

© Nikita Teryoshin

Two artificial hands with long, decorated nails stand in a store window. Next to them, a color palette displays various nail designs.

© Nikita Teryoshin

A small white dog looks out from a stroller behind a metal table with empty coffee cups. The scene is lit with strong lighting.

© Nikita Teryoshin

A mannequin in a store window with cold lighting. Additional mannequins and a reflection are visible in the background.

© Nikita Teryoshin

A dark underpass with a red-lit ceiling and a stained concrete wall. A graffiti tag reading "Banksy" is visible on the wall.

© Nikita Teryoshin

A man with a camera stands inside a clothing store with a SALE sign. In front of him, sweatshirts with the word "Perfect" are displayed.

© Nikita Teryoshin

A tray with two cups of coffee and pastries, held by a person wearing a white winter jacket. The pastries include a powdered sugar donut and a glazed fried ring.

© Nikita Teryoshin

Close-up of a tattooed man holding a dog leash. Beside him, a Chihuahua wearing a blue jacket sits attentively.

© Nikita Teryoshin

A vending machine labeled "Pink Date" in neon lights, surrounded by snack and drink dispensers. Inside the machine is an oversized plush panda costume.

© Nikita Teryoshin

Artist

Open Artsit

©Nikita Teryoshin

Nikita Teryoshin

Nikita Teryoshin, photographs defense exhibitions worldwide. His award-winning book “Nothing Personal” was published in 2024.

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