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Jessica Arseneau

©Roland Baege

Jessica Arseneau (*1988) explores the way human perception and subjectivity is shaped by social codes, patterns of behaviour, accelerating culture and technological progress. She works with video, performance, print, and text to create environments that allude to a poetic space between consciousness and the unconscious. Her current work focuses on the phenomena of sleep and insomnia in a 24/7 world. Jessica Arsenau, who was born in Canada, holds a Bachelor of visual Arts at Université de Moncton and a Diploma of Media Arts at the Academy of Fine Arts Leipzig, both with distinction.

Her solo exhibitions include The Screen Under My Eyelids at Helmut, Leipzig, Nothing but a Constant Glow at Spinnerei archiv massiv, Leipzig (2020) and Lost Idyll at Galerie d’art Louise-et-Reuben-Cohen, Moncton, Canada (2016). She exhibited at Galerie Sans Nom, Moncton, Canada, Darling Foundry, Montreal, Canada, Eastern Bloc, Montreal, BronxArtSpace, New York, Agora Collective, Berlin, Traverse Vidéo, Toulouse, France, Friche la Belle de Mai, Marseille, France and Westpol A.I.R. Space, Leipzig.

From Jan—Dec 2021, Jessica Arseneau was a resident at the Makroscope – Zentrum für Kunst und Technik.

Unna

Begleitet wird die Grand Snail Tour von Künstler*innen aus dem Bereich Literatur, Fotografie und Zeichnung, die zeitgleich zum Aufenthalt des Tourmobils, Eindrücke und Reflexionen aus jeweils derselben Stadt sammeln und diese sie visuell oder literarisch ins Bild setzen. So entsteht ein Paratext zur 3-jährigen Tour, der in Form einer Reisechronik, ein Kaleidoskop an Geschichten, Verbindungen, Momentaufnahmen in den 53 Städten der Region als Gleichzeitigkeiten und Ungleichzeitigkeiten zur Grand Snail Tour sichtbar werden lässt.

Unna von Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

© Heinrich Holtgreve

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View into the trailer featuring Paul Spengemann’s “spin jump crawl climb dream bite hunt”; a lit claw machine stands to the right. Elements from Cem A.’s “floor pieces and stanchions” are visible.

© Daniel Sadrowski

31.10.25, 14–22 h

Displaying in Unna

Unna

Artist

Open Artsit

© Alexandra Polina

Heinrich Holtgreve

Born in Bochum in 1987, he lives between Hamburg and Berlin. In 2013, Heinrich Holtgreve completed his studies in photography at Bielefeld University of Applied Sciences. He has been a member of the Ostkreuz agency since 2016. 

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