The artist Ari Benjamin Meyers, who originally trained as an opera conductor and composer, explores the forms of performance, production and perception of music in his work. He transfers his compositions into the exhibition context in order to undermine the social, institutional and performative conventions that determine musical performances. Internationally exhibited works such as The Art, 2016, and the associated temporary formation of a pop band, or Symphony 80, in which 80 musicians from a symphony orchestra move individually through the museum in a long-term performance, question the usual performance situations of music and thus also change the relationship between performers, musicians, and spectators. The same applies to Staatsorchester, a composition for street musicians, or Kunsthalle für Musik, a live music exhibition that makes contact with Fluxus and the expanded art concepts of the 1960s and 70s, recalling and rethinking their historical ideals, both 2018. Meyers works collaboratively in many projects and has realized joint projects in the past with artists such as Tino Sehgal, Anri Sala and Dominique Gonzalez-Foerster, as well as with bands such as The Residents, Chicks on Speed and Einstürzende Neubauten.