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Ana Alenso

©Roland Baege

The artistic work of Ana Alenso is preceded by intensive research. Thematically, she focuses on the global dependence on resources and the concomitant political, social, and economic exploitation. Serving as a foundation for her research are scientific studies and reports, as well as interpersonal exchange with environmental activists. The artist, who was raised in Venezuela, usually examines concrete case studies in her projects, such as the international petroleum industry or gold mining in Latin America, along with the related consequences of such mining for nature and the locals.

Ana Alenso’s installations are composed of scaffolding elements, hoses, pipes, and barrel—often items found at scrapyards. In their temporary, improvised assembly, they sometimes resemble makeshift constructions from the mining industry, such as those found in illegal mines.

For Ruhr Ding: Klima, Ana Alenso will realise a new installation by the title of Die Mine gibt, die Mine nimmt (The Mine Gives, the Mine Takes) in the Alter Wartesaal of the railway station in Herne. This will be accompanied by a half-day symposium conceived by the artist based on her research.

Ana Alenso (b. 1982) lives in Berlin. She was a resident artist in 2019/2020 at Zu Gast bei Urbane Künste Ruhr.

Oer-Erkenschwick

The Grand Snail Tour will be accompanied by literary, photographic and illustrative artists, who will collect impressions and reflections from the same city at the same time as the Trailer is there and put them into visual or literary form. The result is a paratext on the three-year tour, a travel chronicle in the form of a kaleidoscope of stories, connections and snapshots in the 53 cities of the region, revealing the simultaneities and non-simultaneities of the Grand Snail Tour.

Oer-Erkenschwick von Felix Bork

Artist

Open Artsit

©Jan Kapitaen

Felix Bork

Felix Bork deals with the important things in life: cute animals, beautiful flowers, colourful stones, poop and love.

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